Rodney : How the *fuck* is that yo' house, nigga? You don't even live there. Is this Jody? The Jody that got my boo pregnant and can't take care of his responsibilities as a muthafuckin' man? Livin' at yo' mamma house? Walking around the streets like a little ass boy? Nigga, you's a *bitch*!
Little boy fucking woman
Jody : You're my woman. Them other ho's is tricks. I make love to you, I want to be with you, but I fuck other females occasionally. I don't know why, I just do. That's the situation. You feel better now? That's some honesty for yo ass. Deal with it. I love you enough to be honest.
Infancy and early childhood are vulnerable periods. Among the Ache of Paraguay, 13% of children die before the end of their first year and 27% before the age of five [52]. The mother is the infant's most important line of protection from starvation, attack and accidents. Given the short interbirth interval in our species, women would have been caring for a vulnerable infant and/or pregnant for a substantial proportion of their reproductive career [53]. A woman's reproductive success may have depended on the avoidance of risky behaviours, including aggression.
A road of sand separated the seas. Just a thin band of sand, which was the real bitch of it. The beach of death on the right was calm, encircled as it was by a wall of rocks. The living beach, to the left, opened wild to the ocean. We went every Sunday after Mass. Those who could swim proper went to life. But I couldn't fucking swim, so I always soaked in death.
Vega Baja was my home for only a few years. Enough time to learn to swim, to curse when needed, and to meet a boy. Though not at all in that order, I must say. The boy, of course, was Martin. Spelled without the accent, but still pronounced Mar-teen. There were many of us there at the home in Vega Baja. The boundaries of the region were not as they are now. The Caribbean waters were highways, not fucking national borders. So we children went and came. Children from Tortola, from Antigua, even from far away as Trinidad. I came from St. Thomas. Lost children, we was. Orphaned. Martin was from San Juan--a native. Still, he was an abandoned motherscunt, just like the rest of us.
Martin was not a mystery. No one was. The island was American, but Spanish was the language of public school instruction. As far as us picky heads could say, we would all be Puerto Ricans from here on, so before each child's arrival the women would offer the new one's personal history in Spanish. The woman with the private school education and gentle manners would translate the basics into English. This way all of us could be ready with our empathy--no bullying or nastiness. In truth, I cannot believe they did that shit to us. The women. They did not understand a child's need for secrets, the child's desire to tell her own story and make herself new. When Martin finally came it seemed he was a man, not a lost child at all. But there he was. Sleeping on the boys' side of the house with the rest of them.
It made no fucking sense, of course, but I believed him. He did seem like someone who had been loved most of his life, loved recently. In that way, he was different from the rest of us. We was all in awe of him, jealous to be truth.
(EDITORIAL NOTE: I swear to god if anyone emails in and starts telling me we have to call her "The Duchess of Cambridge" or, like, "you did not use their rightful title! He's an Earl or some shit, technically!" then I am calling the police on you. This is the greatest day in our country's history. I do not have time to be fucking about with royal titles. I refuse! To Wikipedia! A fucking goddamned thing!)
17:27: George just ran out steepling his little fingers together and yelling "the face of a pig, the face of a pig! The curse is lifted, the face of a pig!" like lol ok little dude go off
11:37: Twitter is a solid 50/50 split of people who are Extremely Excited about the royal baby (RB) and people who really, really want you to know that they don't care one bit about the RB, so are tweeting quite a lot about it to let you know how little they care.
As he ate, he seemed to feel better, and Della noted that his color was coming back. While he had never said so out loud, Della was sure that he had not wanted to come to the convention in the first place, even though it was an opportunity for him to learn some of the latest ways to improve the business and to give the two of them a little vacation besides. Della enjoyed trips and was always open to new experiences. Sometimes it just took a little effort to pull Walter along with her.
The woman at the back table stood up and, holding her needlepoint in both hands like a gift, walked to the window at the front of the cafe. She stood for a minute looking up and down the street, then turned and started back before stopping near Della and Walter. She seemed uncertain enough so that Della was encouraged to smile at her, an invitation for her to say something if she wanted to.
Della thought she could hear her heart beating. She thought she could hear it pushing blood out of itself, sucking it in and pushing it out. She began to feel sick, and she wiped the perspiration from her upper lip with her napkin. The woman at their table had picked up her needlepoint and was holding it in front of her, as if for protection.
Walter and the woman stood up to look. The woman stepped back immediately and said that she found what she had seen disgusting: she said that people like that ought not to have children and that the police should take the baby away from the parents and throw the parents in jail.
Reviewed by: Every Inch a Woman Sophie Mayer Carellin Brooks . Every Inch a Woman. University of British Columbia Press. xvi, 206. $32.95 For Carellin Brooks, the female phallus (not) seen by Freud's male child is key to reading the politically empowering perversions of gender that shape modernity, from psychoanalysis itself to postmodern porn. Assaying a wide range of texts from Krafft-Ebing to Kathy Acker, Brooks follows her excavation of Freud's titillating game of hide-the-phallus by engaging in provocative genre-fucking, reading Jeanette Winterson's Written on the Body as Henry Miller-esque Casanova confessional, and Terry Castle's theoretical text The Apparitional Lesbian as elegy.
He was a trendy young asshole, a fat 28-year-old MTV baby with a bad bleach job who looked like a career fuck-up, a smart guy who deliberately ruined himself on a regular basis. He looked like one of those bookish skateboard dudes pushing 30 who still works at Kinko's and has a real chip on his shoulder. He was wearing an untucked T-shirt, trendy sneakers and little wire-rimmed glasses.
Anyway, at the bar, a fussy little man timidly approached him and muttered something along the lines of, "Could you maybe be a little more quiet during ActII? You're really distracting ourenjoyment of the show."
"Why don't you go fuck yourself?" Fussy little man backs up, Drunk Boy lurches forward and stops. Then there's another advance, lurch and stop, the false-start dance of an aborted tussle. Christ, didhe really mean to beat up this guy in a crowded lobby at a Broadway theater intermission?
Die in his fucking sleep? Didn't she just spend the whole night resurrecting him? What is this ridiculous hopelessness, where a vital young man walking around under his own power with a heart full of love is sent off to die in his goddamned sleep?
I remember asking at a tender age what the "virgin" part of Saint Mary was, so Sister had the Jesuitical task of explaining virginity, without however conjuring or in any way coming close to the reality of non-virginity, so she straight-up lied: 'That's a woman who's never been married,' she averred in a tone that foreclosed further dialectic. Maybe that's why O'Neill has never provoked a flicker of interest in me, on the page or on the stage. But Dubliners and Portrait struck deep sparks of recognition, the very lingo my innumerable uncles and aunts spoke at Christmas dinner....
Anyway, at the bar, a fussy little man timidly approached him and muttered something along the lines of, \"Could you maybe be a little more quiet during ActII? You're really distracting ourenjoyment of the show.\"
\"Why don't you go fuck yourself?\" Fussy little man backs up, Drunk Boy lurches forward and stops. Then there's another advance, lurch and stop, the false-start dance of an aborted tussle. Christ, didhe really mean to beat up this guy in a crowded lobby at a Broadway theater intermission?
At five one afternoon, I don't rush out and head for the Oak Room of the Plaza Hotel as is my custom. Rather I sit at my desk in a warm haze. No sense going out on the street. It's a long walk along Central Park South to the subway station at Columbus Circle. Too many people at rush hour, and I hate being crowded and jostled. The subway is fucking murder at this time of day. It's hot, humid, and it stinks. "Step lively! Watch the closing doors!" So I just sit there at my desk and pretend to edit an article I am trying to write about mass-producing chickens on big commercial farms in Maryland.
Peace comes only with Smirnoff's Blue Label, or glasses of beer from the tap, or gallon jugs of Italian Swiss Colony sherry. Or a woman's cunt. Or mouth. Certainly not Annie's anymore, because I'm sick of her. The sight of her struggling to pull the spandex over her mottled, fatty flesh makes me want to puke. Only when I'm drunk or fucking some other woman do I feel I have a right to live. The rest of the time I furiously struggle to pass myself off as a normal New Yorker, whoever the fuck that is. 2ff7e9595c
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